タイトル: 音芸術におけるDynamisの再認識 : 古典尊重のために
著者: 月岡, 忠三
抄録: As for the analysis of a musical phenomenon, F. Helmholtz attempted it for the first time, and K. Riemann, E. Hanslick, E. Toch, and others followed him, and at last H. Mersmann has attained its fullest development, laying the foundation of the rule of reserving musical energy. And the explanation these scholars have given will be considered as the most illuminating explanation that has ever been offered as to the way of interpreting this musical phenomenon. Compared with this way of explanation, not a few other scholars have left some essential parts unknown and unrevealed in their explanation of music. And it seems that such a tendency has been, and still is, prevailing and dominating in music. It is clear, however, that some of the scholars following Helmholtz, Riemann, Hanslick, and Toch have gone so far as to put too strong emphasis upon the scientific way of thinking, with the result that they have become inclined to ignore spiritual aspects of the theory only to put their followers in confusion. This thesis, therefore, aims at having such a science-yoked attitude revised in this field of musical studies. To carry out this aim, the author here has made minute inquiries into the phenomenon, by means of which he has reconsidered it in a new light. As it is necessary for a photographer to prepare sensible films, so it seems necessary for the author of this thesis to focus the glasses of his right judgement upon the spiritual aspects of this school of musical studies. In other words, an attempt has been made here to explain all points of importance in view of the reality of activities of the human heart.
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